T206 Carolina Brights Power Rankings: The Top Ten Poses

I received some good feedback the last time I posted a Power Rankings article, and I figure it’s about time for another one.  Last week, I wrote a little introduction to the Carolina Brights subset, and as a fun companion piece, here are the top ten poses available with Carolina Brights backs.

It was a little tough to decide how to rank these cards.  My main objective was to rank them according to level of stardom of the players, but I also wanted to take into consideration that some of these poses are available with less backs than others.  For example, I ended up ranking Speaker above Mathewson because Speaker, a 350 Only Subject, was printed with fewer rare backs (only Carolina Brights, Broad Leaf 350, and Drum) than Mathewson Dark Cap (a Super Print).

The one thing I couldn’t figure out how to incorporate was individual scarcity.  For example, Chase Blue Portrait with a Carolina Brights back is very scarce.  If a nice one came to auction right now, it would likely sell for more than many of the players above Chase on this list.  But because I couldn’t figure out a good way to quantify that, I have just stuck with a mix of stardom and desirability.  I’m sure many of you would rank these slightly differently, but I feel like it’s a pretty good list.  Let me know what you think in the comments section!

1.  Ty Cobb (Red Background Portrait)

2.  Tris Speaker

3.  Christy Mathewson (Dark Cap)

4.  Eddie Collins

5.  Frank Chance (Yellow Background Portrait)

6.  Johnny Evers (Chicago on Shirt)

7.  Jimmy Collins

8.  Chief Bender (Trees in Background)

9.  Hal Chase (Blue Background Portrait)

10.  John Titus

 

Honorable Mentions:

Roger Bresnahan (Batting)
Hal Chase (Dark Cap)
Joe Kelley
Joe McGinnity
Luther Taylor

T206 Brown Hindu: The Case of the Missing Red Ink

beaumont-hindu

If you’ve looked at enough T206 scans, you’ve probably come across some Hindus that look a little weird.  Many, like this Beaumont above, were printed with very faint red ink.  Others appear to be missing red altogether.  This phenomenon is most pronounced on cards with red backgrounds, though it does affect other cards as well.  If you take a look at my example scans, you can see that most of these cards appear to have an orange background.  Some have more red than others, but all of them are noticeably more orange than a typical example with a different back.  bradley-hindu-and-sovereign

If you take a close look at other cards with Hindu backs, you can see that red is missing, even when red didn’t figure prominently in the card’s design.  T206 Hindu ElberfeldThese two Bradley portraits have a subtle difference; the color of the lips.

I have never heard any theory about why so many Hindus are missing red ink.  It would stand to reason that quality control was not a huge concern at American Lithographic Co. where the cards where produced.  After all, the cards were to be given away for free as advertising.  That said, the overall quality of production across the entire set is quite high in my opinion.  Most cards are well-centered with nicely aligned fronts and backs.  Colors and shading can vary a bit from one example of a card to another, but rarely to the level we are looking at here.

Here’s my theory: Hindu backs were produced early in the T206 production run.  My guess is that at the beginning, quality control was a little bit lax.  Most of the Hindus were probably printed, even though the red was not as dark as they wanted.  Once the cards were released they became a cultural sensation.  People loved them, and as a result the American Tobacco Company may have wanted to ensure that subsequent printings would be of higher quality.  It’s also possible that the printers didn’t realize that the design called for more red, because they hadn’t seen enough copies of the cards to be able to tell what they were meant to look like.

T206 Hindu Missing Red